Soweto Kinch on his forthcoming orchestral piece and musical influences
Photo by Iza Korsak
Saxophonist, composer, and bandleader Soweto Kinch is both a MOBO award-winner and an honorary associate of the Royal Academy of Music, which is testament to his exceptional talent and versatility within the field of music. He emcees as well as playing the horn, plus his musical projects are often imbued with historical themes–fitting for an artist who also holds a degree in Modern History from Oxford University. Ahead of Soweto’s NQ Jazz performances on Monday 7th June—which include a matinee set and masterclass at The Stoller Hall, followed by a sold out evening gig at The Yard—we asked Soweto what he has been up to during the past twelve months and what he has been listening to of late.
Q. What are you most looking forward to about the return of live music?
Seeing and hearing audience reactions… and enjoying a drink afterwards.
Q. What can audiences expect from your NQ Jazz performances?
A dynamic mix of jazz and hip hop. Nail biting, edge of your seat, death defying improvisation… and some jokes.
Q. What has kept you busy during the last 12 months?
I created on an online festival #BlackPeril2020, by visiting historic sites of race riots across Britain last year. This year I’m writing a new orchestral piece called White Juju with explores identity, public health, BLM and history in the age of a culture war.
Q. Has your musical perspective or perception of the industry changed over the past year?
It's confirmed my worst suspicions of the music industry - gorging themselves on streaming income whilst artists and composers languish without a reasonable share. It's also shown me artists who will rise to the challenge to responding to a watershed moment I’m excited to see where this all leads.
Q. Who has had a significant influence on your music?
Steve Williamson, Bheki Mseleku, Kokayi, Pharaoh Monche.
Q. What music are you listening to at the moment?
Igor Stravisky The Rite of Spring and Gary Bartz Harlem Bush Music.