Norma Winstone on Kenny Wheeler and lockdown activities

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Vocalist and bandleader Norma Winstone is a veritable legend of British jazz music. Beginning her career in the late sixties, she has worked with an astonishing array of jazz artists, evolving her own wordless approach to improvisation. Her style has won her admiration from musicians and vocalists alike, leading Nicky Schrire to declare: ‘Norma is a singer’s singer. But she is also a musician’s musician. Wearing both hats is a rare feat for any vocalist.’ Ahead of Norma’s performances for NQ Jazz on Monday 21st June—which will involve a matinee set at The Stoller Hall, followed by an evening gig at The Yard—we asked the MBE and Jazz FM vocalist of the year six questions, touching upon what she has done during lockdown and been listening to.

Q. What are you most looking forward to about the return of live music?

Making music with my friends and feeling a response from the audience.

Q. What can audiences expect from your NQ Jazz performances?

I would hope a feeling of our love for the music of Bill Evans and our delight in performing it.

Q. What has kept you busy during the last 12 months?

I have been writing lyrics (which I do anyway), and getting new material together for future projects. I have also been sorting through John Taylor's music which found its way to my house. I have been scanning his compositions and organising some of his big band arrangements. A Hell of a job which I would not have had time to do but for the lockdown.

Q. Has your musical perspective or perception of the industry changed over the past year?

Not really; I just feel that the scene might never be the same again, but that is too much to go into in a short answer.

Q. Who has had a significant influence on your music?

No one person. Kenny Wheeler influenced my progress in music. His sound was something I aspired to with my voice. John Taylor, of course.

Q. What music are you listening to at the moment?

I listen a lot to classical music, the French Impressionists and English composers Peter Warlock, E.J. Moeran for instance.

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Iain Ballamy on influential music and the return of live gigs

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Ant Law on performing live, gaming, and concert-going